31st January 2012
Secret Craft #4: Psychedelic light shows for Jimi Hendrix
By Leo Kent

In 1967 Joshua White founded the Joshua Light Group, a collective of artists who put on psychedelic light shows to accompany the performances from the likes of Jimi Hendrix, Janis Joplin and The Grateful Dead. Trippy swathes of colourful light were projected onto vast screens behind the musicians creating a compelling, synaesthetic play between light and music. Joshua White still performs with the Light Group but they have kept up with the times, replacing analogue equipment with digital projectors and computers.

Job Title:

Light Show Artist

Name:

Joshua White

What do you do?

I do many things, but the thing that I’m most proud of is creating and directing the Joshua Light Show, it was made to provide a strong visual background to go with the amazing music that happened at the end of the 60s.

Which musicians did you work with?

We found a permanent home at Bill Graham’s Fillmore East in New York, a 3,000 seat theatre on the lower east side. We got to work with all the great artists who were booked by Graham: Jimi Hendrix, Janis Joplin etc, but it was not like we were side by side with them. We were behind them, behind a large sheet of plastic. It was very friendly backstage and of course I talked to Jimi and I talked to Janis. It was wonderful because the more familiar we were with the music the better we got, and the audience had a better experience.

Can you explain your technique?

Things have become much simpler today because there are many more techniques available, but in those days it was really a question of making as much light as you could on a wall, or in our case a projection on a very big screen that was about 30 to 40 foot wide. Our job was to fill it up with as much changing light and colour as we could. We used whatever projection equipment was available and preferably used materials that could be quickly changed. Primarily it was slide projectors and overhead projectors and an assortment of film. Another thing that was unique to our show was something called Lumia, which was reflected light. It created a wonderful Northern Lights effect.

What techniques do you use today?

In the last few years the cost of video projection has gone down so far we don’t need primary light sources anymore. We don’t project the video directly, we project it onto mirrors and that reflects onto the screen. What you can put into the projector is infinite so we have a person with a computer feeding the projector. Every show we do now has a very strong digital element. If somebody wants what we call the analogue show, we have to bring out the old projectors, the old fluids etc and we’re happy to do that but it costs a lot more money.

Where did your passion for this come from?

I don’t know. I just suddenly fell in love with light and what came along in the mid-60s was this thing called multimedia, a catch all phrase for say, turning on two projectors, and that was my groove. In high school in the 50s I decorated the school dances by putting in 8 red light bulbs with white light bulbs and that really impressed everybody.

For more in the Secret Craft series go to:

Secret Craft #1: The art of fine tuning

Secret Craft #2: The art of live audio recording

Secret Craft #3: How to become a stuntman

The End
  • http://www.facebook.com/people/Bill-Wesley/1237153325 Bill Wesley

    I’ve been doing visuals since 1965, I progressed by modifying 4 edmund scientific 500 what slide projectors (they were brighter than some 750 watt projectors) so I could reach inside and add vertical liquids compartments , patterned glass plates and so forth. I did NOT use wheels except at the front of the lens where I sometimes used strobe wheels to flash different projectors with similar images alternately for animation effects. the slide wheels of those projectors could be turned by hand and with the four projectors lights hooked to on off switches at my feet that could be rhythmically activated (yes they burned out a lot as a result, but they were cheap and the rhythmic fade in and out of the bulbs instead of cutting in and out was precious!) and restate and hand drag speed controlled strobe wheels in the front as well as instantly manually dialable hand painted slides (I was very good at painting those) I was able to do what I call hand animation, like “Frank Film, only live and with multichamber vertical air bubble oil and water movable clear and pattern glass in the liquids and also movable pattern glass slide image light”molding” effects which are unlike “Frank Film” I feel that analog projection is exactly like analog sound, an electric guitar is a poor replacement for an acoustic guitar and vice versa, synthesizers do not negate acoustic instruments nor do acoustic instruments negate synthesizers. the different MEANS of control result in inherently different ENDS. Video feedback is a to die for addition to analog means as well as using a camera and digital projectors to AMPLIFY analog projections on a small screen for a much bigger screen.I feel sequencing does not usually tend to do as well musically as manual control because it places a barrier between emotion and the art, and I feel manual control of visuals is even more crucial to making them EXPRESSIVE. In the past too much credence was given the technology and not enough credence the artistry, that this actually killed off light shows as automated means replaced physical means an also because the audience could not see the artist so assumed it was a machine. If Hendrix had been behind the screen people might have thought he was just a device too. This was the biggest mistake made in the past, it is MUCH more impressive to an audience to SEE and be INTRODUCED to a PERFORMER, that way they know they are witnessing an ART and not an automation. In my opinion light shows were the greatest art form in human history yet they were treated as the least significant art form because they were not positioned correctly politicaly…light artists should have been billed as the STARS, that way the form would have not vanished or nearly so.

404
There were no articles found matching your filter
Loading...