Hidden down an inconspicuous alley off London’s Oxford Street emerges the recently refurbished Photographers’ Gallery, an exhibition space dedicated to photography that is completely free to members of the public. As you enter the gallery, you are immediately drawn to 8 LCD panels that merge seamlessly to form a 3m x 2.7m screen known as The Wall.

Designed by Sharp, The Wall has been created to tie-in with the reopening of the gallery, where it will be used to exhibit various digital exhibitions in the coming years. Katrina Sluis, digital curator at the gallery, says, “As part of the re-launch the director was very keen to start addressing the way in which photography is so often consumed on the screen, produced on the screen, where even the cameras we look at today appear as a screen with a lens attached.”

I was really intrigued because this is an image file format that can only be experienced on screen

The first exhibition to go on The Wall is a celebration of the Graphic Interchange Format, known to most as the GIF. Sluis thought the exhibition, entitled Born In 1987: The Animated GIF, was particularly apt for debut show. “When I was approaching the exhibition for the opening I thought, ‘where can I start? This programme can cover so many aspects of photography and computer networks and so on but I thought, ‘well, the animated GIF is an interesting example of image file format that is both extremely old, it is 25 years old this year, but is having a bit of a creative renaissance through sites such as Tumblr.’”

The Photographer's gallery is showcasing The Wall, based in Soho, London - more exhibitions have been planned.

Return of the GIF

The GIF was created by CompuServe, one of the world’s first internet service providers and incidentally where Sluis worked at one time. It was a compressed file format that made it easy to be transmitted across the web in the days when the networks were incredibly slow.

Sluis says, “I was really intrigued because this is an image file format that can only be experienced on screen. We couldn’t print them out and stick them in the gallery upstairs, so it’s exploring an image file format that is both high art and low art.; it’s participatory; it’s made by people who take it seriously as their major art form as well as guys in their bedrooms, and it is an image file format made specifically to deal with the limitations of computer networks.”

Everything has gone 80s in popular culture these days and the return of the GIF falls in line with this trend. The certain naivety of the graphics -there is only a choice of 256 colours – gives the GIF a particularly quaint appearance.

There are a number of interesting artists who have been asked to submit work in the animated GIF format making for some striking and at times quite disturbing images. One of the standout works is by Kennard Phillipps, a collaboration between political artists Peter Kennard and Cat Phillipps. Their animated GIF shows David Cameron’s face on which a montage of last year’s riots is played out.

Projectors to panels

When Sluis was developing the idea for The Wall, she originally thought the easiest solution would be to put up a projector and play video through a computer. However, the issue of light coming in through the windows created a problem. Sluis realised Sharp’s panels were the ideal solution. Sharp’s Helen Sheldrake says, “The digital wall is facing a large glass two storey window which means lots of sunlight is continually flooding the building. At 1500cd/m2 the screens are bright enough to not only be seen through glass but for the image not to be distorted by direct sunlight.”

The image jumps out from the screen and all that blackness disappears

Another important feature is the screens’ local dimming facility made possible by using full LED backlighting. It intelligently controls brightness in the dark areas of the image, thereby greatly improving the contrast ratio and dramatically lowering power consumption.

The GIF was a compressed file format that made it easy to be transmitted across the web.

Sluis says, “One of the things you see, is the way in which the local dimming creates a completely matt black appearance on the screen…the image jumps out from the screen and all that blackness disappears and that is what made these panels amazing for this project.”

It could be you!

For any GIF enthusiasts, they are also allowing open submissions which will be streamed on their Tumblr page. In the last few weeks of the show they will display these GIFs on The Wall alongside work by the commissioned artists.

If you are interested in submitting your own work you can upload a GIF file onto Tumblr and tag it with bornin1987. Who knows, maybe your work will make it onto The Wall…


For more information go to www.thephotographersgallery.org.uk.

GIF Image Credit: Artist Kim Asendorf via the Photographer’s gallery.


For more articles related to art and technology please read:

Meet Lillian Schwartz: The mother of digital art

Graeme Obree: Hand-building the world’s fastest bicycle

London’s Solar Tree: Technology inspired by nature

The secret mark of a master craftsman

Breaking the rules: Harry Beck and the London tube map

Music and science: The art of noise jelly

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